{"id":4634,"date":"2019-05-13T11:26:58","date_gmt":"2019-05-13T15:26:58","guid":{"rendered":"https:\/\/www.attlc-ltac.org\/?page_id=4634"},"modified":"2024-10-12T19:21:50","modified_gmt":"2024-10-12T23:21:50","slug":"annonces-de-nos-membres","status":"publish","type":"page","link":"https:\/\/www.attlc-ltac.org\/fr\/annonces-de-nos-membres\/","title":{"rendered":"Annonces de nos membres"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-bottom: 0px;margin-top: 0px;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-one-full fusion-column-first fusion-column-last\" style=\"margin-top:0px;margin-bottom:20px;\"><div class=\"fusion-column-wrapper fusion-flex-column-wrapper-legacy\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-blog-shortcode fusion-blog-shortcode-1 fusion-blog-archive fusion-blog-layout-grid-wrapper fusion-blog-infinite\"><style type=\"text\/css\">.fusion-blog-shortcode-1 .fusion-blog-layout-grid .fusion-post-grid{padding:20px;}.fusion-blog-shortcode-1 .fusion-posts-container{margin-left: -20px !important; margin-right:-20px !important;}<\/style><div class=\"fusion-posts-container fusion-posts-container-infinite fusion-posts-container-load-more fusion-no-meta-info fusion-blog-layout-grid fusion-blog-layout-grid-2 isotope\" data-pages=\"3\" data-grid-col-space=\"40\" style=\"margin: -20px -20px 0;min-height:500px;\"><article id=\"blog-1-post-7840\" class=\"fusion-post-grid post-7840 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/roberto-rueda-monreal-laureat-de-la-residence-de-traduction-litteraire-attlc-mlq-a-quebec-fevrier-2023\/\" aria-label=\"Roberto Rueda Monreal, laur\u00e9at de la r\u00e9sidence de traduction litt\u00e9raire ATTLC\/MLQ \u00e0 Qu\u00e9bec, f\u00e9vrier 2023\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"2560\" height=\"2311\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-scaled.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-200x181.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-400x361.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-600x542.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-800x722.jpg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-1200x1083.jpg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/20221128-RRuedaMonreal-et-HRioux-scaled.jpg 2560w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/roberto-rueda-monreal-laureat-de-la-residence-de-traduction-litteraire-attlc-mlq-a-quebec-fevrier-2023\/\">Roberto Rueda Monreal, laur\u00e9at de la r\u00e9sidence de traduction litt\u00e9raire ATTLC\/MLQ \u00e0 Qu\u00e9bec, f\u00e9vrier 2023<\/a><\/h2><div class=\"fusion-post-content-container\"><p><strong><em>La r\u00e9sidence de neige et de glace<\/em><\/strong><\/p>\n<p><strong>Roberto Rueda Monreal<\/strong><\/p>\n<p><strong>(Traducteur litt\u00e9raire et auteur mexicain)<\/strong><\/p>\n<p>Texte traduit de l\u2019espagnol par H\u00e9l\u00e8ne Rioux<\/p>\n<p>\u00c0 pr\u00e9sent que je le vois, que j\u2019y r\u00e9fl\u00e9chis, ma relation litt\u00e9raire avec le Qu\u00e9bec et avec H\u00e9l\u00e8ne Rioux a, d\u2019entr\u00e9e de jeu, fr\u00f4l\u00e9 l\u2019irrationnel, l\u2019inexplicable, avec les petites choses de la vie qui, en fin de compte, dans leur \u00e2me et leur essence, nous font grandir.<\/p>\n<p>La premi\u00e8re fois que j\u2019ai entendu H\u00e9l\u00e8ne Rioux, il y a plus d\u2019une d\u00e9cennie, elle donnait une conf\u00e9rence dans la ville de Mexico, la <em>Gran Tenochtitl\u00e1n <\/em>et, sans savoir vraiment pourquoi, j\u2019ai soudain \u00e9prouv\u00e9 une r\u00e9v\u00e9lation, comme un \u00e9clair aveuglant, et j\u2019ai compris que je me trouvais devant une auteure dont, \u00e9tonnamment, la proposition et le monde litt\u00e9raires ressemblaient beaucoup aux miens.\u00a0 Tisser un roman sur la vie d\u2019un tueur en s\u00e9rie dont les victimes \u00e9taient de jeunes ing\u00e9nues amoureuses de l\u2019amour, sur une autobiographie dont la traduction serait r\u00e9alis\u00e9e par une traductrice sp\u00e9cialis\u00e9e dans les romans \u00e0 l\u2019eau de rose, \u00e9tait une invitation \u00e0 fr\u00f4ler l\u2019obscurit\u00e9, la cruaut\u00e9, la m\u00e9chancet\u00e9, tout cela de la main d\u2019un \u00eatre fait de pure na\u00efvet\u00e9, de pure lumi\u00e8re, mais tourment\u00e9 jusqu\u2019au d\u00e9sespoir.\u00a0 La traductrice litt\u00e9raire qui voulait s\u2019approcher de l\u2019abominable.\u00a0 Pourquoi\u00a0?\u00a0 Pour comprendre.<\/p>\n<p>Un terrible oxymore pour affronter l\u2019univers complexe de la traduction\u00a0!<\/p>\n<p>Par le pass\u00e9, je m\u2019\u00e9tais familiaris\u00e9 avec la litt\u00e9rature franco-canadienne et ma curiosit\u00e9 avait \u00e9t\u00e9 piqu\u00e9e en constatant comment elle jouait avec la langue fran\u00e7aise, par sa fa\u00e7on particuli\u00e8re d\u2019aborder les th\u00e8mes et les r\u00e9alit\u00e9s, et j\u2019avais envie de retourner exp\u00e9rimenter le frisson que provoquaient cette forme, cette \u00e2me, ce fran\u00e7ais particulier, cette fra\u00eecheur exacerb\u00e9e qui br\u00fble parfois les entrailles, le bout des doigts, quelque chose de semblable \u00e0 cette sensation que procurent la neige, le givre, la glace.<\/p>\n<p>J\u2019ai alors senti que Rioux repr\u00e9sentait vraiment la litt\u00e9rature nord-am\u00e9ricaine francophone et que la vie m\u2019avait plac\u00e9 devant une occasion unique que je ne pouvais laisser passer.\u00a0 J\u2019ai entrepris une lutte, un p\u00e9riple, un aller-retour, frappant aux portes de maisons d\u2019\u00e9dition mexicaines.\u00a0 Elles ne voulaient \u00e9videmment rien publier d\u2019aussi \u00e9tranger et bizarre qui, pour elles, ressemblait \u00e0 quelque chose venu de France sans \u00eatre fran\u00e7ais.\u00a0 La proposition d\u2019une traduction litt\u00e9raire d\u2019un livre comme celui-ci et, surtout, d\u2019une \u00e9crivaine-traductrice <em>qu\u00e9b\u00e9coise<\/em>, semblait franchement vou\u00e9e \u00e0 l\u2019\u00e9chec.<\/p>\n<p>Cela s\u2019est poursuivi pendant quelques ann\u00e9es et j\u2019admets que j\u2019ai \u00e9t\u00e9 tent\u00e9 de renoncer.\u00a0 Parce que j\u2019avais beau reprendre des forces, perfectionner mon projet de traduction litt\u00e9raire, les portes ne s\u2019ouvraient tout simplement pas, aucune lumi\u00e8re ne s\u2019allumait.\u00a0 Et pourtant, comme \u00e7a, et tout en \u00e9tant totalement ignorant du monde des appuis institutionnels, je suis tomb\u00e9 sur une proposition recherchant un profil qui correspondait au mien.<\/p>\n<p>\u00c0 partir de l\u2019acceptation du projet, des co\u00efncidences lumineuses ont commenc\u00e9 \u00e0 transformer le paysage.\u00a0 J\u2019omets beaucoup de d\u00e9tails, mais je dirai seulement que Felipe Garrido, une autorit\u00e9 dans le domaine de la litt\u00e9rature au Mexique, \u00e9diteur en chef de la maison d\u2019\u00e9dition JUS, a re\u00e7u avec bienveillance l\u2019auteur traducteur inconnu que j\u2019\u00e9tais, que nous avons pu discuter de ma proposition et de <em>Traductora de sentimientos, <\/em>ma traduction litt\u00e9raire.<\/p>\n<p>Garrido \u00e9tant lui-m\u00eame traducteur, il a su voir l\u2019expertise, l\u2019amour et la passion avec lesquels je relevais ce d\u00e9fi, un pari qui allait plus loin que le moment, que l\u2019instant.\u00a0 J\u2019ai compris que ce premier livre pourrait \u00eatre le fer de lance des autres titres et que JUS pourrait bien publier toute une collection (ce qui me rendait fou de joie, mais qui n\u2019a pu se r\u00e9aliser), une collection consacr\u00e9e \u00e0 Rioux.\u00a0 J\u2019ai su transmettre \u00e0 Garrido cette \u00e9tincelle originale.<\/p>\n<p>\u00c0 la suite de divers voyages, je suis parvenu \u00e0 amener Rioux au Mexique.\u00a0 \u00c0 Mexico, par l\u2019entremise de JUS, et \u00e0 Guadalajara (Foire internationale du livre), \u00e0 quelques occasions, gr\u00e2ce \u00e0 Publicaciones UNAM (Javier Mart\u00ednez), puis avec l\u2019aide de la D\u00e9l\u00e9gation g\u00e9n\u00e9rale du Qu\u00e9bec au Mexique.\u00a0 C\u2019est ainsi que j\u2019ai naturellement eu le d\u00e9sir de me rendre au pays de mon auteure.\u00a0 J\u2019ai fait plusieurs tentatives jusqu\u2019au moment o\u00f9, en 2022, j\u2019ai pos\u00e9 ma candidature pour une r\u00e9sidence de traduction litt\u00e9raire destin\u00e9e \u00e0 des traducteurs qui se consacraient \u00e0 une \u0153uvre d\u2019\u00e9crivains du Qu\u00e9bec.<\/p>\n<p>L\u2019Association des traductrices et traducteurs litt\u00e9raires du Canada et la Maison de la litt\u00e9rature de Qu\u00e9bec sont \u00e0 l\u2019origine de ce concours et j\u2019ai \u00e9t\u00e9 accept\u00e9.\u00a0 Apr\u00e8s des \u00e9pisodes de grand stress (tant \u00e0 cause du climat qui m\u2019attendait que parce que je suis tr\u00e8s d\u00e9sempar\u00e9), j\u2019ai eu le sentiment, \u00e0 mon arriv\u00e9e \u00e0 la Maison de la litt\u00e9rature, d\u2019acc\u00e9der \u00e0 quelque chose de vraiment important.\u00a0 La possibilit\u00e9 de travailler deux semaines dans une solitude presque totale et, en m\u00eame temps, en compagnie de mon \u00e9crivaine, fut une promenade surr\u00e9aliste\u00a0: depuis le grand appartement o\u00f9 j\u2019habitais je pouvais voir sans cesse tomber la neige, \u00e0 l\u2019occasion s\u2019annoncer des temp\u00eates et j\u2019ai parfois pu d\u00e9ambuler dans les rues de ce Qu\u00e9bec-r\u00e9frig\u00e9rateur.<\/p>\n<p>&nbsp;<\/p>\n<p>J\u2019ai trouv\u00e9 tr\u00e8s curieux de d\u00e9couvrir que si j\u2019allais me promener (avant 17 heures, parce qu\u2019apr\u00e8s tout devient noir), je devais sans cesse regarder \u00e0 mes pieds car \u00e0 un certain point le neige se transforme en glace et l\u2019exp\u00e9rience agr\u00e9able peut devenir quelque chose de redoutable, de dangereux.\u00a0 C\u2019est ainsi que les concepts de neige, de froid, de vent, de pluie, de temp\u00e9rature, de temp\u00eate, de gr\u00e9sil\u2026 ont acquis un nouveau sens, une nouvelle dimension qui, d\u00e9finitivement, ont perturb\u00e9 plusieurs dimensions et processus de traduction du <em>Bout du monde existe ailleurs (El Fin del Mundo existe en otro lado, <\/em>le projet qui m\u2019a conduit jusqu\u2019\u00e0 cette r\u00e9sidence).\u00a0 \u00c9voquer la neige au Mexique, ce n\u2019est pas comme la sentir s\u2019\u00e9craser dans votre visage \u00e0 Qu\u00e9bec.\u00a0 Et pourtant, \u00e0 la fin, toute l\u2019exp\u00e9rience a \u00e9t\u00e9 pure chaleur\u00a0!<\/p>\n<p>&nbsp;<\/p>\n<p>Je ne peux qu\u2019exprimer ma reconnaissance \u00e0 Dominique Decorme, Catherine Ego et Juliette Berton gr\u00e2ce \u00e0 qui cette r\u00e9sidence a \u00e9t\u00e9 rendue possible et, surtout, tr\u00e8s agr\u00e9able.<\/p>\n<p>&nbsp;<\/p>\n<p>Et bien que, contrairement \u00e0 Aureliano Buend\u00eda, je ne me suis pas retrouv\u00e9 devant un peloton d\u2019ex\u00e9cution, si Garc\u00eda M\u00e1rquez me le permet, je me rappellerai toujours ma r\u00e9sidence de traduction dans le Vieux Qu\u00e9bec comme la premi\u00e8re fois que la litt\u00e9rature d\u2019H\u00e9l\u00e8ne Rioux a rendu mon visage plus rouge que jamais, m\u2019a br\u00fbl\u00e9 le bout des doigts, m\u2019a fait me sentir tremp\u00e9 jusqu\u2019aux os\u2026. En parvenant \u00e0 ce lieu historique directement de la <em>Gran Tenochtitl\u00e1n<\/em> et de Montr\u00e9al, j\u2019ai r\u00e9alis\u00e9 quelque chose de plus significatif que la simple connaissance de la neige.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-7850\" class=\"fusion-post-grid post-7850 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/alex-boos-karin-montin-ltac-qwf-mentorship-in-french-to-english-literary-translation-program-2022\/\" aria-label=\"Alex Boos &#8211; Karin Montin LTAC\/QWF Mentorship in French to English Literary Translation Program 2022\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"2193\" height=\"2560\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-scaled.jpeg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-200x234.jpeg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-400x467.jpeg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-600x701.jpeg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-800x934.jpeg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-1200x1401.jpeg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2023\/10\/2023-08-03-Alex-Boos-Photos.jpeg-scaled.jpeg 2193w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/alex-boos-karin-montin-ltac-qwf-mentorship-in-french-to-english-literary-translation-program-2022\/\">Alex Boos &#8211; Karin Montin LTAC\/QWF Mentorship in French to English Literary Translation Program 2022<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-1 fusion-flex-container has-pattern-background has-mask-background nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-content-boxes content-boxes columns row fusion-columns-1 fusion-columns-total-1 fusion-content-boxes-1 content-boxes-icon-with-title content-left\" data-animationOffset=\"top-into-view\" style=\"margin-top:0px;margin-bottom:0px;\"><style type=\"text\/css\">.fusion-content-boxes-1 .heading .content-box-heading {color:#ffffff;}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .heading-link .content-box-heading,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover:after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover:before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .fusion-read-more:hover,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::after,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover.link-area-box .fusion-read-more::before,\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .icon .circle-no,\n\t\t\t\t\t.fusion-content-boxes-1 .heading .heading-link:hover .content-box-heading {\n\t\t\t\t\t\tcolor: #02bbad;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .icon .circle-no {\n\t\t\t\t\t\tcolor: #02bbad !important;\n\t\t\t\t\t}.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button {background: #02bbad;color: #99e4de;}.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box.link-area-box-hover .fusion-content-box-button .fusion-button-text {color: #99e4de;}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon > span {\n\t\t\t\t\t\tbackground-color: transparent !important;\n\t\t\t\t\t}\n\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .icon > span {\n\t\t\t\t\t\tborder-color: #02bbad !important;\n\t\t\t\t\t}<\/style><div class=\"fusion-column content-box-column content-box-column content-box-column-1 col-lg-12 col-md-12 col-sm-12 fusion-content-box-hover content-box-column-last content-box-column-last-in-row\"><div class=\"col content-box-wrapper content-wrapper link-area-box icon-hover-animation-slide\" style=\"background-color:rgba(255,255,255,0);\" data-animationOffset=\"top-into-view\"><div class=\"fusion-clearfix\"><\/div><div class=\"content-container\" style=\"color:#ffffff;\">\n<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">Several months ago, I was asked whether I would be interested in sharing thoughts on my experience as a mentee for the Karin Montin Literary Translation Mentorship (KMLT), a mentorship program that had been newly created by the Literary Translators Association of Canada (ATTLC\/LTAC) in collaboration with the Quebec Writers Federation (QWF). I felt prepared to respond to this question with an unequivocal and affirmative \u201cYes.\u201d This \u201cYes\u201d was, of course, an assertion, an affirmation carrying the weight of an experience that I believe owed itself, and still owes itself, in large part to the mentorship program and the mentor with whom I was paired. On another level, this \u201cYes\u201d was a way for me to pledge myself to the future and to the task of writing \u2013 and thus, I am writing at last, to say something, perhaps <\/span><i><span style=\"font-weight: 400;\">anything<\/span><\/i><span style=\"font-weight: 400;\">, about my experience. I say \u201canything\u201d emphatically, because I could return a thousand times and more to the experience in question, whence my inclination to underscore that it cannot simply be synchronized, pinned down, dated \u2013 <\/span><i><span style=\"font-weight: 400;\">bref<\/span><\/i><span style=\"font-weight: 400;\">, codified into some chronology, from beginning to end, contained neatly in the past like a date on a calendar.<\/span> <span style=\"font-weight: 400;\">And so, I decided to format this reflection by providing a few remarks on my experience as a mentee, circumstances permitting, and a sample of writing taken from a broader series of ruminations, reflections, and meditations on the translation process that I had put together over the course of the Mentorship itself.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span> <span style=\"font-weight: 400;\">I submitted my application and translation pitch to the KMLT in October, 2021. I was doubtful that my application would garner a response, and I am sure a great many aspiring translators, writers, artists, and young people in search of work, mentorship, and doorways into the world of the arts, may feel the grip of similar doubts. The arts suffers from a lack of resources, support, subsidizing, funding, and collective care that is in no small part due to a general trend in cultural and economic neoliberalization. Intensified competition and the scarcity of material supports and opportunities, whether in the arts or on the job market, have reached such heights that silence and doubt have quietly established themselves as a normative expectation in the social psyche, self-naturalizing as a general tone of the times. What perhaps compounded this mood of despair and sense of being a dice roll in a struggle against the odds, was the fact that I had chosen to pitch, from among all the literary genres of one\u2019s choosing, a book of theory and experimental philosophy: <\/span><i><span style=\"font-weight: 400;\">La g\u00e9n\u00e9alogie du d\u00e9racinement: enqu\u00eate sur l\u2019habitation postcoloniale<\/span><\/i><span style=\"font-weight: 400;\">, authored by Dalie Giroux, a visionary Quebecois political philosopher and public intellectual. The task of doing justice to this work in summary is impossible \u2013 but if I were to provide a few descriptive remarks, I would say that it explores the contours of a collective imaginary and ways of living that render our relations to the Earth unintelligible, thereby producing an uninhabitable Earth. This Earthly uninhabitability is tied to the widespread rule of intellectual regimes of abstraction (state, value, capital, globalization, etc.,) organized around the production of value, which impinge on the material landscape. At the same time as it is an exploration or inquiry into hegemonic ways of living in North America, I would say it is also an exercise in what Derek R. Ford calls \u201cfostering a collective imaginary beyond capital.\u201d\u00a0 Its assessment of contemporary ways of living in North America in relation to global technocapitalism and the production of landscapes operates both as an elucidation of the historical present and as a kind of opening onto pathways towards liberating political futures. Anyhow,\u00a0I had my doubts about receiving a response, and I had even more doubt about my chances of being shortlisted, let alone being offered the mentorship.\u00a0<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span> <span style=\"font-weight: 400;\">When I eventually did get a response, it was a response that \u2013 having in its nature broken the silence expected and dispelled doubt \u2013 I had not anticipated, but for new and separate reasons.\u00a0 The QWF wrote to inform me that I was among the top three finalists, but that I did not receive the mentorship. This was not, however, the crux of the surprise. Instead, what surprised me about the letter that I received was the sound of its heartbeat.<\/span> <span style=\"font-weight: 400;\">I was informed that the translation mentor, Jessica Moore, made a request to obtain my contact information. In reply, I gave my permission to the QWF to pass my information onto her. Within a few weeks\u2019 time, Jessica and I were exchanging emails. The fact that Jessica went out of her way to contact me and encourage me to pursue the translation project independently was already a sure sign that the official recipient of the mentorship was a very fortunate person. There are surely many facets that make a mentorship what it is, but at its foundation it is a relationship between people. And so, the sociability, encouragement, care, and enthusiasm that formed my first impressions of Jessica were indicative of a mentor who was passionate about and committed to the nature of their work. Our correspondence over emails culminated in a meeting over the phone, during which she generously shared her time, guidance, perspective, and thoughts. All of this transpired prior to the actual start date of the mentorship program between her and the recipient that had already been chosen. The decision on the part of the recipient to step down was the critical relational shift that would alter the course of our trajectories. Following that decision, the executive director of the Quebec Writers Federation contacted me to share the unexpected news and offered the mentorship program to me. I gladly accepted it.<\/span><\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span> <span style=\"font-weight: 400;\">My experience of the mentorship was so abundant, creative, and positively overwhelming that it spilled over into a photo-essay and sowed the seeds for ideas that I later developed and incorporated into a lecture on translation and linguistic materialism, which I gave to students enrolled in a fourth-year Contemporary Studies course at the University of King\u2019s College in September, 2022. The combination of creative reflection and writing, assembling a philosophical term base, discussing the text, step-by-step editing and revising, patient and careful reading, applying the text to everyday life, exercises in meditation, and many other practices and approaches that were established throughout our mentor-mentee relationship as part of a translation process guided me towards unseen and previously unknown personal potentials for human creativity. The convictions that I previously held about the reciprocal bond between a flourishing creative spirit and the depth of a person\u2019s humanity were restrengthened by this experience in such a way that the importance of mentorship programs is all the more clearly immeasurable. At least, these words are a personal testament to how profound of an impact the mentorship had on me, and the inheritance of which I continue to carry forward into new horizons. We need mentorships and we need them to multiply. With that said, I will close these last remarks with a small reflection on translation that I had written, among many others, over the course of my time as a mentee:<\/span><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">\u00a0<\/span><\/p>\n<p><span style=\"color: #000000;\"><i><span style=\"font-weight: 400;\">Bound to the radically contingent and irreducible alterity of languages, I am incapable, when translating, of a smooth reading. I am steeped in the microscopic and I feel inescapably compelled to read the French text line by line, each line again and again, to the point of sliding ever deeper into a space of solitude and disquiet with the French words. There is a sense of the eerie that takes hold, as though I reside in the pupil of an immutable, hidden, silent, and unknowable glance. Have I arrived at the threshold where the linearity of the phonetic alphabet, once described by Marshall McLuhan as the hot medium of typography for its abstract visual intensity, metamorphosizes into the ambiguous linings of language? Here, my assumed position as Reader further vacillates between Writer, Linguist and Artisan, caught in the restrictions, circumstances, syntaxes, letters, and boundaries of my own language. Reading a line over, and over again, in continuity with its flowerings in a new form, slipping into an atelier of experimentation and creation, in pursuit of a repetition worthy of eternal recurrence. I am somewhere between a junkyard, a workshop, an etymology, a dictionary, an archive, a discussion, a library, an office. Translation spreads a web of language, erects a variable and chaotic epistemological grid \u2013 an ever-widening clutter of notes and documents, new windows and tabs, an unfurling scroll of mobile texts and notes to self, post-its, colour-coding, underlining, momentary insights and reflections scrawled on the backs of opened envelopes. It has become unshakably clear to me that the placement of each letter, just as much as each and every word or comma, fastens and holds together the delicate structure of the text \u2013 that the materiality of each sign together creates an order of the possible and impossible. The feeling that you get when you believe that you may have determined the \u201cright\u201d placement, or the pleasurable experience of finding an order of words that feels \u201ccertain,\u201d might be comparable to a kind of religious ecstasy. When what you are translating inhabits you and imbues your world, it can feel as indisputably true as some Sacred revelation. But, as Borges once wrote of the nature of a philosophical doctrine, it is \u201cin the beginning a seemingly true description of the universe; as the years pass it becomes a mere chapter \u2013 if not a paragraph or a noun \u2013 in the history of philosophy.\u201d On some level, translation is a striving to make such experiences of truth relivable.<\/span><\/i><\/span><\/p>\n<p><span style=\"font-weight: 400; color: #000000;\">***<\/span><\/p>\n<p><span style=\"color: #000000;\"><span style=\"font-weight: 400;\">Alex Boos lives and works in Sioux Lookout, Ontario, located within Treaty #3 and the Traditional Territory of the Ojibway of Lac Seul First Nation. He holds a B.A. Combined Honours degree in French and Contemporary Studies from the University of King\u2019s College and Dalhousie University and an M.A. in Translation Studies from Concordia University. He is a freelance researcher and French-English translator, and a co-founder and co-host of the podcast <\/span><i><span style=\"font-weight: 400;\">Unsettling<\/span><\/i><span style=\"font-weight: 400;\"> (formerly known as <\/span><i><span style=\"font-weight: 400;\">The Poplar Tapes<\/span><\/i><span style=\"font-weight: 400;\">), a podcast on history, culture, and politics striving after anti-capitalist and decolonial futures in the settler colonies. <\/span><a style=\"color: #000000;\" href=\"https:\/\/unsettling.podbean.com\/\"><span style=\"font-weight: 400;\">https:\/\/unsettling.podbean.com\/<\/span><\/a><span style=\"font-weight: 400;\">\u00a0<\/span><\/span><\/p>\n<\/div><\/div><\/div><style type=\"text\/css\">\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .heading-link:hover .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box:hover .heading-link .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-link-icon-hover .heading .icon i.circle-yes,\n\t\t\t\t\t\t.fusion-content-boxes-1 .fusion-content-box-hover .link-area-box-hover .heading .icon i.circle-yes {\n\t\t\t\t\t\t\tbackground-color: transparent !important;\n\t\t\t\t\t\t\tborder-color: #02bbad !important;\n\t\t\t\t\t\t}<\/style><div class=\"fusion-clearfix\"><\/div><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-1{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-1 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-1{width:100% !important;order : 0;}.fusion-builder-column-1 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-1{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-7576\" class=\"fusion-post-grid post-7576 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/aout-2022\/\" aria-label=\"Ao\u00fbt 2022\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1920\" height=\"1280\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920-200x133.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920-400x267.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920-600x400.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920-800x533.jpg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920-1200x800.jpg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/08\/beach-g8b83e7988_1920.jpg 1920w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/aout-2022\/\">Ao\u00fbt 2022<\/a><\/h2><div class=\"fusion-post-content-container\"><p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/karen-simon-fr\/\">Karen Simon<\/a> nous fait part de la parution de <em>A Mom<\/em>, une traduction du livre pour enfants <em>Une Maman<\/em> de Mathieu Lavoie.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/genni-gunn-en\/\">Genni Gunn<\/a> has two new books to announce. Her poetry collection <em>Accidents<\/em> (Signature Editions) was recently featured on <a href=\"https:\/\/alllitup.ca\/Blog\/Poetry-in-Motion\/2022\/Poetry-in-Motion-Genni-Gunn-Accidents\">All Lit Up: Poetry in Motion<\/a> and the book trailer can be viewed <a href=\"https:\/\/www.youtube.com\/watch?v=wcMhUgRX0CU\">here<\/a>. Her novel <em>Tracing Iris<\/em>was also translated into Italian by Margherita Piva, and published by Les Flaneurs Edizioni under the title <em>Alla Ricerca di Iris<\/em>. She looks forward to an Italian tour in the fall!<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/emilie-laramee-fr\/\">\u00c9milie Laram\u00e9e\u2019s<\/a> translation of Su J Sokol\u2019s <em>Cycling to Asylum<\/em>, <em>Les lignes invisibles<\/em>, was published by VLB Imaginaire in June.<\/p>\n<p>Sous la supervision de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jolicoeurlouis-fr\/\">Louis Jolicoeur<\/a>, le recueil de nouvelles <em>Stations<\/em> de Nick Mulgrew a \u00e9t\u00e9 traduit par sept \u00e9tudiantes du D\u00e9partement de langues, linguistique et traduction de l&rsquo;Universit\u00e9 Laval et publi\u00e9 chez les \u00c9ditions L\u2019Instant m\u00eame.<\/p>\n<p>Book*hug recently published <em>Remnants<\/em>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/aleshia-jensen-fr\/\">Aleshia Jensen\u2019s<\/a> English translation of C\u00e9line Huyghebaert\u2019s Governor General\u2019s Literary Award-winning novel <em>Le drap blanc<\/em>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/katia-grubisic-fr\/\">Katia Grubisic\u2019s<\/a> translation <em>A Knife in the Sky<\/em>, originally published by \u00c9ditions du Remue-m\u00e9nage in 2015 as\u00a0<em>Femmes au temps des carnassiers<\/em>, was released by Inanna Publications in June. Watch Agnant introduce the translation and Grubisic read from the novel <a href=\"https:\/\/www.youtube.com\/watch?v=bfmltFm2u5A\">here<\/a>.<\/p>\n<p>On Thursday August 11, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/elaine-kennedy-fr\/\">Elaine Kennedy<\/a> will be launching <em>Toronto, I Love You<\/em> (Mawenzi House Publishers), her translation of Didier Leclair\u2019s award-winning <em>Toronto, je t\u2019aime<\/em>. The event will take place from 6pm to 8pm at Hart House at the University of Toronto in the Debates Room and will feature a conversation between the author, translator and special guest, writer Paul Savoie.\u00a0RSVP <a href=\"https:\/\/www.eventbrite.ca\/e\/toronto-i-love-you-book-launch-tickets-387124789667\">here<\/a>.<\/p>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-7308\" class=\"fusion-post-grid post-7308 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/hiver-2022\/\" aria-label=\"Printemps 2022\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1280\" height=\"855\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022.jpeg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022-200x134.jpeg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022-400x267.jpeg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022-600x401.jpeg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022-800x534.jpeg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022-1200x802.jpeg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2022\/02\/winter-2022.jpeg 1280w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/hiver-2022\/\">Printemps 2022<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-1\" style=\"text-transform:none;\"><div dir=\"ltr\" data-setdir=\"false\">Nous sommes particuli\u00e8rement heureux de f\u00e9liciter (tardivement) <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/marie-frankland-en\/\" target=\"_blank\" rel=\"noopener\">Marie Frankland<\/a> qui a remport\u00e9 le <a href=\"https:\/\/ggbooks.ca\/poemes-1938-1984\" target=\"_blank\" rel=\"noopener\">Prix litt\u00e9raire du Gouverneur g\u00e9n\u00e9ral 2021<\/a> dans la cat\u00e9gorie traduction (anglais-fran\u00e7ais) pour son livre <a href=\"https:\/\/lenoroit.com\/produit\/poemes-1938-1984\/\" target=\"_blank\" rel=\"noopener\"><em>Elizabeth Smart Po\u00e8mes 1938-1984<\/em><\/a>. Des f\u00e9licitations sont \u00e9galement de mise pour <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/mishka-lavigne-fr\/\" target=\"_blank\" rel=\"noopener\">Mishka Lavigne<\/a> qui a remport\u00e9 le prix dans la cat\u00e9gorie th\u00e9\u00e2tre pour sa pi\u00e8ce <em><a href=\"https:\/\/interligne.ca\/auteurs-auteures\/mishka-lavigne\/copeaux\/\" target=\"_blank\" rel=\"noopener\">Copeaux<\/a><\/em>.<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">La superbe traduction sign\u00e9e par <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/sonya-malaborza-fr\/\">Sonya Malaborza<\/a>, <a href=\"https:\/\/www.prisedeparole.ca\/titres-livre\/?id=591\" target=\"_blank\" rel=\"noopener\"><em>L&rsquo;accoucheuse de Scots Bay<\/em><\/a>, lui permet de figurer parmi les finalistes aux Prix \u00c9loizes de l\u2019<a href=\"http:\/\/www.aaapnb.ca\/?fbclid=IwAR0MZImjrsxFtEFurlFzivXBzswko1vyZOTnM6PvTgJPvIf-69lClMPnh-k\" target=\"_blank\" rel=\"noopener\">l&rsquo;Association acadienne des artistes professionnel.le.s du N-B<\/a>\u00a0dans la cat\u00e9gorie Artiste de l\u2019ann\u00e9e. Nous croisons les doigts en sa faveur !<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\"><a href=\"https:\/\/www.pum.umontreal.ca\/catalogue\/a_lecoute_des_lieux\" target=\"_blank\" rel=\"noopener\">Les presses de l&rsquo;Universit\u00e9 de Montr\u00e9al<\/a> ont publi\u00e9 la traduction vers le fran\u00e7ais du livre de Sherri Simons, <em>\u00c0 l&rsquo;\u00e9coute des lieux. G\u00e9ographies de la traduction<\/em>. La traduction de l&rsquo;anglais a \u00e9t\u00e9 r\u00e9alis\u00e9e par <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/lori-saint-martin-fr\/\" target=\"_blank\" rel=\"noopener\">Lori Saint-Martin<\/a> et <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/paul-gagne-fr\/\" target=\"_blank\" rel=\"noopener\">Paul Gagn\u00e9<\/a>.<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jean-marcel-morlat-fr\/\" target=\"_blank\" rel=\"noopener\">Jean-Marcel Morlat<\/a> est toujours aussi occup\u00e9. Parmi ses derni\u00e8res traductions figurent les titres suivants :<\/div>\n<ul>\n<li dir=\"ltr\" data-setdir=\"false\"><em>Petit essai en hommage au pass\u00e9<\/em> (<em>A Small Esssay in Honour of the Past<\/em>) de Tim Bowling, <a href=\"https:\/\/www.lecrachoirdeflaubert.ulaval.ca\/2021\/11\/petit-essai-en-hommage-au-passe\/\" target=\"_blank\" rel=\"noopener\"><em>Le crachoir de Flaubert<\/em><\/a>, le 18 novembre 2021. Le po\u00e8me est tir\u00e9 de <em>Selected Poems<\/em>, Nightwood Editions, 2013<\/li>\n<li dir=\"ltr\" data-setdir=\"false\"><em>Dieu de l\u2019Acceptation<\/em> et <em>Oignons<\/em>, po\u00e8mes de Lorna Crozier, publi\u00e9s dans <a href=\"http:\/\/www.litteraturesbreves.fr\/index.php\/lorna-crozier\" target=\"_blank\" rel=\"noopener\"><em>Le r\u00e9cit-page<\/em><\/a>, le 27 novembre 2021. Les po\u00e8mes sont tir\u00e9s de <em>God of shadows<\/em>, 2018, McClelland &amp; Stewart et <em>The Garden Going on Without Us<\/em>, 1985, McClelland &amp; Stewart.<em>\u00a0<\/em><\/li>\n<li dir=\"ltr\" data-setdir=\"false\"><em>et aussi, un article (Nicolas Bouvier et le Japon) :\u00a0<\/em>\u00ab Sur les sentes japonaises en compagnie de Nicolas Bouvier \u00bb, <em>Les carnets d\u2019Eucharis 2021<\/em> [Sur les routes du monde, VOL. III), octobre 2021, pp. 7-13.<\/li>\n<\/ul>\n<p>Pour traduire <i>The Philistine<\/i> de Leila Marshy, qui vient de para\u00eetre en fran\u00e7ais chez Linda Leith \u00c9ditions, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/sophie-voillot-fr\/\" target=\"_blank\" rel=\"noopener\">Sophie Voillot<\/a> n&rsquo;a pas h\u00e9sit\u00e9 \u00e0 recourir \u00e0 l&rsquo;adaptation&#8230; mais seulement apr\u00e8s avoir re\u00e7u le feu vert de l&rsquo;autrice. <a href=\"https:\/\/www.lindaleith.com\/fre\/Pages\/blog\/SALON_FR_Voillot_QA\" target=\"_blank\" rel=\"noopener\">Voici un entretien entre elles deux \u00e0 ce sujet<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/bessejulien-fr\/\" target=\"_blank\" rel=\"noopener\">Julien Besse<\/a> nous fait part de la parution de\u00a0<i>Les Cons\u00e9quences du capitalisme<\/i>, de Noam Chomsky et Marv Waterstone, traduit de l&rsquo;anglais, aux <a href=\"https:\/\/luxediteur.com\/catalogue\/les-consequences-du-capitalisme\/\" target=\"_blank\" rel=\"noopener\">\u00e9ditions Lux<\/a> (Montr\u00e9al), en septembre 2021.<\/p>\n<p>La derni\u00e8re traduction d&rsquo;<a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/emilie-laramee-fr\/\" target=\"_blank\" rel=\"noopener\">\u00c9milie Laram\u00e9e<\/a>, <em>R\u00eaves de drones et autres entropies<\/em>,\u00a0a r\u00e9cemment \u00e9t\u00e9 lanc\u00e9e par le <a href=\"http:\/\/www.groupenotabene.com\/publication\/r\u00eaves-de-drones-et-autres-entropies\" target=\"_blank\" rel=\"noopener\">Groupe Nota Bene<\/a>. De plus, <a href=\"https:\/\/www.leslibraires.ca\/livres\/reves-de-drones-et-autres-entropies-rich-larson-9782898011603.html\" target=\"_blank\" rel=\"noopener\">Les libraires<\/a> nous offrent un extrait sur leur site (une nouvelle compl\u00e8te).<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/ksenia-maryniak-en\/\" target=\"_blank\" rel=\"noopener\">Ksenia Maryniak<\/a> (Attestation SecState 1993, ATIA\/CTTIC\/FIT 2007, LTAC 2017) was recently awarded two of eight \u00ab\u00a0Translation-in-Progress\u00a0\u00bb grants by the Peterson Literary Fund in its inaugural year. One of the grants is for her English translation of the acclaimed Ukrainian novel by Serhiy Synhaivsky\u00a0<i>Doroha na Asmaru<\/i>\u00a0(Road to Asmara, 2nd edn, 2020), set mainly during the 1983\u20131985 famine in Ethiopia, then under the rule of a Soviet-backed Communist government.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/karine-mailhot-sarrasin-french-speaking-literary-translator\/\" target=\"_blank\" rel=\"noopener\">Karine Mailhot-Sarrasin<\/a> a le plaisir de vous annoncer que Les 400 coups viennent de publier sa traduction du livre jeunesse allemand \u00ab\u00a0Meine Mutter, die Fee\u00a0\u00bb.\u00a0Les r\u00e9f\u00e9rences \u00e0 d&rsquo;importantes oeuvres de la litt\u00e9rature allemandes ont repr\u00e9sent\u00e9 un d\u00e9fi tr\u00e8s particulier dont elle est tr\u00e8s fi\u00e8re d&rsquo;avoir relev\u00e9!\u00a0<a href=\"https:\/\/www.editions400coups.com\/carre-blanc\/maman-est-une-fee\" target=\"_blank\" rel=\"noopener\">Plus de d\u00e9tails par ici<\/a>.<\/p>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<div dir=\"ltr\" data-setdir=\"false\">\u00a0<\/div>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-2{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-2 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-2{width:100% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-2{width:100% !important;order : 0;}.fusion-builder-column-2 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-2{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-6946\" class=\"fusion-post-grid post-6946 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/juillet-2021\/\" aria-label=\"Juillet 2021\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1280\" height=\"671\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021-200x105.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021-400x210.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021-600x315.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021-800x419.jpg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021-1200x629.jpg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/07\/july-2021.jpg 1280w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/juillet-2021\/\">Juillet 2021<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-3 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-2\"><p>F\u00e9licitations \u00e0 Georgette Leblanc et \u00e0 <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/lazer-lederhendler-en\/\" target=\"_blank\" rel=\"noopener\">Lazer Lederhendler<\/a>, membre de longue date de l&rsquo;ATTLC, pour avoir remport\u00e9 les <a href=\"https:\/\/livresgg.ca\/#traduction\" target=\"_blank\" rel=\"noopener\">Prix litt\u00e9raires du Gouverneur g\u00e9n\u00e9ral<\/a> pour la traduction de 2021. Leblanc remporte le prix pour <a href=\"https:\/\/ggbooks.ca\/ocean\" target=\"_blank\" rel=\"noopener\"><em>Oc\u00e9an<\/em><\/a>, tandis que <a href=\"https:\/\/ggbooks.ca\/if-you-hear-me\" target=\"_blank\" rel=\"noopener\"><em>If You Hear Me<\/em><\/a> de Lederhendler lui vaut sa troisi\u00e8me attribution du prix.<\/p>\n<p>La production prolifique de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jean-marcel-morlat-fr\/\" target=\"_blank\" rel=\"noopener\">Jean-Marcel Morlat<\/a> se poursuit avec <i>Le camarade de son p\u00e8re<\/i>, <i>L\u2019Ampoule<\/i>, que vous pouvez retrouver dans Hors-s\u00e9rie no 9, 15 juin 2021, pp. 82-89, Bordeaux, <a href=\"http:\/\/www.editionsdelabatjour.com\/2021\/06\/l-ampoule-hors-serie-numero-9.html\" target=\"_blank\" rel=\"noopener\">Les \u00e9ditions de l\u2019Abat-jour<\/a>. Traduction fran\u00e7aise de la nouvelle de l\u2019\u00e9crivain australien Henry Lawson \u00ab His Father\u2019s Mate \u00bb.<\/p>\n<p>Members <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/katia-grubisic-en\/\" target=\"_blank\" rel=\"noopener\">Katia Grubisic<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/peter-mccambridge-fr\/\" target=\"_blank\" rel=\"noopener\">Peter McCambridge<\/a>, and <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/susan-ouriou-fr\/\" target=\"_blank\" rel=\"noopener\">Susan Ouriou<\/a> will join fellow translator Rhoda Mullins and author Eric Dupont to participate in\u00a0the final 2021 Giller Prize Master Panel, entitled \u00ab\u00a0The Art of Translation.\u00a0\u00bb The discussion will take place on Monday, August 9, at 7 p.m. EDT. <a href=\"https:\/\/scotiabankgillerprize.ca\/the-giller-master-panel-the-art-of-translation\/\" target=\"_blank\" rel=\"noopener\">Click here for more information<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/associate-members\/\" target=\"_blank\" rel=\"noopener\">Anne Malena<\/a> and <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/sheery-simon-en\/\" target=\"_blank\" rel=\"noopener\">Sherry Simon<\/a> each have essays included in\u00a0<a href=\"https:\/\/www.routledge.com\/The-Routledge-Handbook-of-Translation-and-the-City\/Lee\/p\/book\/9781138348875\" target=\"_blank\" rel=\"noopener\"><em>The Routledge Handbook of Translation and the City,<\/em><\/a>\u00a0which was just published in late June 2021. From the book description: \u00ab\u00a0Divided into four sections, the chapters are authored by leading scholars in translation studies, sociolinguistics, and literary and cultural criticism.They cover contexts from Brussels to Singapore and Melbourne to Cairo and topics from translation as resistance to translanguaging and urban design.\u00a0\u00bb<\/p>\n<p>In this <a href=\"http:\/\/interlitq.org\/blog\/2021\/07\/15\/beatriz-hausner-former-president-of-the-literary-translators-association-of-canada-interviewed-by-david-garyan\/\" target=\"_blank\" rel=\"noopener\">interview with David Garyan<\/a>, Beatriz Hausner discusses her career as a poet and a translator. \u00ab\u00a0In some cases,\u00a0\u00bb posits Hausner in the interview, \u00ab\u00a0a translator\u2019s work can have a profound effect on the trajectory of an entire literature.\u00a0\u00bb<\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-3{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-3 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-3{width:100% !important;order : 0;}.fusion-builder-column-3 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-3{width:100% !important;order : 0;}.fusion-builder-column-3 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-3{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-6733\" class=\"fusion-post-grid post-6733 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/printemps-2021-fr\/\" aria-label=\"Printemps 2021\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1280\" height=\"850\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April.jpg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April-200x133.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April-400x266.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April-600x398.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April-800x531.jpg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April-1200x797.jpg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/05\/April.jpg 1280w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/printemps-2021-fr\/\">Printemps 2021<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-4 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-3\"><p>Six, oui, SIX, de nos membres sont en lice pour les Prix litt\u00e9raires du Gouverneur g\u00e9n\u00e9ral de 2020 ! F\u00e9licitations \u00e0\u00a0<a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/sophie-voillot-fr\/\" target=\"_blank\" rel=\"noopener\">Sophie Voillot<\/a>, Daniel Grenier, <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/lazer-lederhendler-en\/\" target=\"_blank\" rel=\"noopener\">Lazer Lederhendler<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/sonya-malaborza-en\/\" target=\"_blank\" rel=\"noopener\">Sonya Malaborza<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/arianne-desrochers-en\/\" target=\"_blank\" rel=\"noopener\">Arianne Des Rochers<\/a>\u00a0et\u00a0<a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/pablo-strauss-en\/\" target=\"_blank\" rel=\"noopener\">Pablo Strauss<\/a>. D\u00e9couvrez <a href=\"https:\/\/livresgg.ca\" target=\"_blank\" rel=\"noopener\">tous les finalistes ici.<\/a><\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/sylvie-nicolas-fr\/\" target=\"_blank\" rel=\"noopener\"><b>Sylvie Nicolas <\/b><\/a>souhaite pr\u00e9senter deux traductions r\u00e9centes qui ont en commun la d\u00e9licate conjugaison du verbe aimer \u00e0 tous les temps:<\/p>\n<ul>\n<li><i>M\u00e8re(s) et monde<\/i><i>, <\/i>une traduction de <i>(M)other<\/i> de <a href=\"https:\/\/boutondoracadie.com\/auteurs\/fiche-auteur\/?auteur=sanita-fejzic&amp;id=5238\" target=\"_blank\" rel=\"noopener\">Sanita Fejzi\u0107<\/a>.<span class=\"Apple-converted-space\">\u00a0<\/span><\/li>\n<\/ul>\n<p>D\u2019abord \u00e9crit sous la forme d\u2019un po\u00e8me, finaliste en 2018 du <i>CBC Poetry Prize<\/i>, ce tr\u00e8s beau texte de Sanita Fejzi\u0107 raconte avec tendresse et justesse la difficult\u00e9 des familles homoparentales \u00e0 \u00eatre accept\u00e9es pour ce qu\u2019elles sont : des familles aimantes.\u00a0Deux m\u00e8res, un fils, et un monde rempli d\u2019amour.\u00a0La version originale anglaise et la traduction en fran\u00e7ais ont toutes deux \u00e9t\u00e9 publi\u00e9es aux \u00c9ditions Bouton d\u2019or Acadie.<\/p>\n<ul>\n<li>Zee, de <a href=\"https:\/\/sujsokol.com\" target=\"_blank\" rel=\"noopener\">Su J. Sokol<\/a><\/li>\n<\/ul>\n<p>Dans ce r\u00e9cit qui explore la diff\u00e9rence, on d\u00e9couvre Zee qui, toute petite, d\u00e9montre une empathie hors du commun et une \u00e9trange facult\u00e9 extrasensorielle. Alors qu\u2019elle grandit au sein d\u2019un noyau familial non traditionnel, compos\u00e9 de quatre adultes tr\u00e8s soud\u00e9s, l\u2019empathie et le don extrasensoriel grandissent avec elle. Un voyage au c\u0153ur d\u2019un monde int\u00e9rieur qui percute le monde ext\u00e9rieur. Quatre adultes aimants, une jeune \u00e0 la fronti\u00e8re de l\u2019adolescence et un monde peupl\u00e9 d\u2019embuches et d\u2019amour. La version originale anglaise et la traduction en fran\u00e7ais ont toutes deux \u00e9t\u00e9 publi\u00e9es aux \u00c9ditions Mouton noir Acadie.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/leilei-chen-en\/\" target=\"_blank\" rel=\"noopener\">Leilei Chen<\/a> will be hosting a panel literary translation at the upcoming <a href=\"https:\/\/writersguild.ca\/wga-annual-conference-2021-re-orientation\/#rdv-calendar\" target=\"_blank\" rel=\"noopener\">Writers&rsquo; Guild of Alberta Annual Conference<\/a>\u00a0featuring <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/susan-ouriou-en\/\" target=\"_blank\" rel=\"noopener\">Susan Ouriou<\/a> and Peter Midgley. <a href=\"https:\/\/writersguild.ca\/wga-annual-conference-2021-re-orientation\/#event-328\" target=\"_blank\" rel=\"noopener\">Learn more about the panel here<\/a>.<\/p>\n<p><strong><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/beatriz-hausner-en\/\" target=\"_blank\" rel=\"noopener\">Beatriz Hausner<\/a><\/strong> hosted the third edition of the successful <em>Here is Elsewhere<\/em> conversation series on April 26th. Beatriz welcomed Dr. Karl Jirgens and M\u0101rta Ziemelis who both offered their expert insight on the translation of Latvian literature. <a href=\"https:\/\/www.youtube.com\/watch?v=hnTtdM2Ozfc\" target=\"_blank\" rel=\"noopener\">Catch the recording of the discussion here<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jean-marcel-morlat-fr\/\" target=\"_blank\" rel=\"noopener\"><strong>Jean-Marcel Morlat<\/strong> <\/a>a le plaisir de vous annoncer ses publications du mois de mars dans des revues fran\u00e7aises :<\/p>\n<div>\n<ul>\n<li>Cinq po\u00e8mes de Patrick Lane (Octobre, Montagne blanche, La prison de Calgary, Le peu qu\u2019il reste, Beaut\u00e9 (2000)),\u00a0<a href=\"https:\/\/www.europe-revue.net\/wp-content\/uploads\/2021\/01\/Livret-Jean-Genet-2021-R.pdf\" target=\"_blank\" rel=\"noopener\"><i>Europe<\/i>, no 1103<\/a>, \u00ab Jean Genet-C\u00e9dric Demangeot \u00bb, mars 2020, pp. 273-275.<\/li>\n<li>Patrick Lane\u00a0: quatre po\u00e8mes (Cariboo Winter, <span lang=\"RU\">The Children of Bogot\u00e1<\/span>, <span lang=\"RU\">Mountain<\/span>, <span lang=\"RU\">Conversation with a Huang-Chou Poet<\/span>), <i><a href=\"http:\/\/www.ouaknine.fr\/catalogue_cahiers.htm\" target=\"_blank\" rel=\"noopener\">Les Cahiers de po\u00e9sie<\/a> (<\/i><span lang=\"RU\">Collection dirig\u00e9e par Joseph O<\/span>uaknine<span lang=\"RU\"> &amp; Laurent F<\/span>els<i>)<\/i>, \u00c9ditions Joseph Ouaknine, no 65 (mars 2021), pp. 77-86.\u00a0<i><br \/>\n<\/i><\/li>\n<li><i>Cinq po\u00e8mes de Michael Crummey <\/i>(<i>La loi de l\u2019oc\u00e9an, La derni\u00e8re chanson de Stan<\/i>, <i>Ainsi allait la vie<\/i>, <i>Les Br\u00fblis<\/i>, <i>Ann\u00e9es cinquante<\/i>)<i>,<\/i> <a href=\"https:\/\/www.recoursaupoeme.fr\/cinq-poemes-de-michael-crummey\/\" target=\"_blank\" rel=\"noopener\"><i>Recours au po\u00e8me<\/i><\/a>, no 207, mars-avril 2021. <span lang=\"EN-CA\">Traduction fran\u00e7aise des textes de Michael Crummey, \u00ab The Law of the Ocean\u00a0\u00bb, \u00ab\u00a0Stan\u2019s Last Song\u00a0\u00bb, \u00abThe way Things Were \u00bb, \u00ab The Burnt Woods \u00bb, \u00ab Fifties \u00bb, tir\u00e9s du recueil <i>Hard Light<\/i> (Brick Books, 1998). <\/span><\/li>\n<\/ul>\n<\/div>\n<p>Les \u00e9ditions H\u00e9liotrope ont publi\u00e9 en f\u00e9vrier <i>Mar\u00e9cages de l&rsquo;utopie<\/i>, une traduction d&rsquo;un roman de Catherine Fatima par <strong>Jeannot Clair<\/strong>. La parution a \u00e9t\u00e9 c\u00e9l\u00e9br\u00e9e le 2 mars dernier par une discussion \u00e0 trois voix entre l&rsquo;autrice, \u00e9tudiante en traduction r\u00e9cemment install\u00e9e \u00e0 Montr\u00e9al, la traductrice Daphn\u00e9 B., et le traducteur Jeannot Clair. La discussion est toujours <a href=\"https:\/\/www.youtube.com\/watch?v=tnsd1K2bWGI\" target=\"_blank\" rel=\"noopener\">disponible pour visionnage en ligne<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/sophie-voillot-fr\/\" target=\"_blank\" rel=\"noopener\"><strong>Sophie Voillot<\/strong><\/a> a eu la surprise de sa vie quand Donald Winkler lui a offert de traduire ses <i>Anecdotes<\/i>. I&rsquo;m still pinching myself! Mis en ligne <a href=\"https:\/\/sovoillot.net\/anecdotes\/\">en fran\u00e7ais<\/a> chaque dimanche depuis le d\u00e9but mars, les \u00e9pisodes illustr\u00e9s sont repris <a href=\"https:\/\/sovoillot.net\/anecdotes\/en\/\">en version anglaise<\/a> les jeudis, avec quelques semaines de d\u00e9calage \u00e9videmment.\u00a0Pour plus de renseignements sur ce projet : <a href=\"http:\/\/www.sovoillot.net\/anecdotes\/a-propos\/\">sovoillot.net\/anecdotes\/a-propos\/<\/a><\/p>\n<p>Par ailleurs, les \u00e9ditions Alto viennent de publier en livre audio <i>La fin de l&rsquo;alphabet<\/i> de C.S. Richardson, traduit par Sophie Voillot et lu par Michel Rivard, avec une trame sonore sign\u00e9e\u00a0Noiserv. On peut lire <a href=\"https:\/\/aparte.editionsalto.com\/inedit\/toute-cette-histoire-assez-improbable\/\" target=\"_blank\" rel=\"noopener\">les r\u00e9flexions de M. Rivard ici<\/a>, \u00e9couter <a href=\"http:\/\/www.instagram.com\/p\/CNr-2WfnQRH\/\" target=\"_blank\" rel=\"noopener\">un extrait du livre audio ici<\/a>,\u00a0ou <a href=\"http:\/\/www.leslibraires.ca\/livres\/la-fin-de-l-alphabet-cs-richardson-9782896944941.html\" target=\"_blank\" rel=\"noopener\">se le procurer ici.<\/a><\/p>\n<div class=\"gmail_default\">\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/bessejulien-fr\/\" target=\"_blank\" rel=\"noopener\"><strong>Julien Besse<\/strong><\/a>\u00a0aimerait vous faire part de la parution de deux de ses plus r\u00e9centes traductions :<\/p>\n<ul>\n<li>Jon Savage, <i>Le reste n&rsquo;\u00e9tait qu&rsquo;obscurit\u00e9.\u00a0L&rsquo;histoire orale de Joy Division<\/i>, paru aux <a href=\"https:\/\/www.editions-allia.com\/fr\/livre\/868\/le-reste-n-etait-qu-obscurite\" target=\"_blank\" rel=\"noopener\">\u00e9ditions Allia<\/a> fin 2020;<\/li>\n<li>Theodore Roszak, <i>La naissance d&rsquo;une contre-culture<\/i>, qui sera publi\u00e9 par les \u00e9ditions <a href=\"https:\/\/www.librairielalinea.fr\/livre\/9791095432258-naissance-d-une-contre-culture-reflexions-sur-la-societe-technocratique-et-l-opposition-de-la-jeunesse-theodore-roszak\/\" target=\"_blank\" rel=\"noopener\">La Lenteur ce printemps<\/a>.<\/li>\n<\/ul>\n<\/div>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-4{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-4 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-4{width:100% !important;order : 0;}.fusion-builder-column-4 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-4{width:100% !important;order : 0;}.fusion-builder-column-4 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-4{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-6428\" class=\"fusion-post-grid post-6428 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/fevrier-2021-fr\/\" aria-label=\"F\u00e9vrier 2021\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1880\" height=\"1253\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a.jpeg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a-200x133.jpeg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a-400x267.jpeg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a-600x400.jpeg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a-800x533.jpeg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a-1200x800.jpeg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Feb-21-a.jpeg 1880w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/fevrier-2021-fr\/\">F\u00e9vrier 2021<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-5 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-4\"><p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/robert-paquin-fr\/\" target=\"_blank\" rel=\"noopener\">Robert Paquin<\/a> voudrait annoncer une publication r\u00e9cente. Quattro Books vient de publier <i>Le calendrier des vieux \/ An Old Man&rsquo;s Calendar<\/i>, un calendrier artistique, bilingue et illustr\u00e9 pour les 12 mois de l&rsquo;ann\u00e9e 2021. Les po\u00e8mes sont de Robert Paquin, la traduction anglaise est de Ray Ellenwood, tous deux membres honoraires de l&rsquo;ATTLC, et les illustrations sont de Peter Rochon, un artiste de Montr\u00e9al. On peut commander un exemplaire du calendrier au co\u00fbt de 10 $ + frais de poste en \u00e9crivant \u00e0 <a class=\"moz-txt-link-abbreviated\" href=\"mailto:quattrobooks@gmail.com\">info@quattroboks.ca<\/a> ou en \u00e9crivant directement \u00e0 Robert Paquin \u00e0 <a class=\"moz-txt-link-abbreviated\" href=\"mailto:jarp@videotron.ca\">jarp@videotron.ca<\/a>. Pour ceux et celles qui habitent dans la r\u00e9gion de la ville de Qu\u00e9bec, le calendrier est aussi en vente \u00e0 la <a href=\"https:\/\/chouinard.leslibraires.ca\/contactez-nous\/\" target=\"_blank\" rel=\"noopener\">Librairie Chouinard<\/a>, 1100, bd Guillaume-Couture, L\u00e9vis (Qu\u00e9bec) G6W 5M6. Ne manquez pas le lancement virtuel qui sera annonc\u00e9 bient\u00f4t ici m\u00eame!<\/p>\n<p><img decoding=\"async\" class=\"alignnone wp-image-6452 size-medium\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892-200x150.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892-300x225.jpg 300w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892-400x300.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892-600x451.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Paquin-calendar-rotated-e1614121496892.jpg 639w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/> \u00a0<img decoding=\"async\" class=\"size-medium wp-image-6455 alignleft\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-200x150.jpg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-300x225.jpg 300w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-400x300.jpg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-600x450.jpg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-768x576.jpg 768w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-800x600.jpg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-1024x768.jpg 1024w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-1200x900.jpg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/02\/Bureau_calendrier4jan_20210105_154347-copy-1536x1152.jpg 1536w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/beatriz-hausner-en\/\" target=\"_blank\" rel=\"noopener\">Beatriz Hausner<\/a> interviewed author Pilar Quintana about her novel,\u00a0<a href=\"https:\/\/www.worldeditions.org\/product\/the-bitch\/\">The Bitch<\/a>, and the subversive act of writing about the dark side of nature. The interview can be accessed <a href=\"https:\/\/www.crowdcast.io\/e\/tplquintana\/register\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/phyllis-aronoff-en\/\" target=\"_blank\" rel=\"noopener\">Phyllis Aronoff<\/a> and <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/howard-scott-en\/\" target=\"_blank\" rel=\"noopener\">Howard Scott<\/a> are launching their latest translation, Edem Awumey&rsquo;s <a href=\"https:\/\/www.mawenzihouse.com\/product\/mina-among-the-shadows\/\" target=\"_blank\" rel=\"noopener\">Mina Among the Shadows<\/a>, <strong>tomorrow (February 24)<\/strong> on Zoom. <a href=\"https:\/\/www.facebook.com\/events\/1184358448689796\/?acontext=%7B%22event_action_history%22%3A&#091;%7B%22mechanism%22%3A%22surface%22%2C%22surface%22%3A%22create_dialog%22%7D&#093;%7D&amp;onload_action=online_event_upsell_dialog\" target=\"_blank\" rel=\"noopener\">Click here for more details.<\/a><\/p>\n<p><a href=\"http:\/\/www.daggereditions.com\/books\/fifth-the\/\" target=\"_blank\" rel=\"noopener\">Dagger Editions<\/a> just released The Fifth, <a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/meneghettimonica-en\/\" target=\"_blank\" rel=\"noopener\">Monica Meneghetti&rsquo;<\/a>s translation of MP Boisvert&rsquo;s debut novel, Au 5e (La M\u00e8che). The online launch is Feb. 27th. <a href=\"https:\/\/www.crowdcast.io\/e\/thefifth-book-launch\/register\" target=\"_blank\" rel=\"noopener\">More information here<\/a>.<\/p>\n<div>A few gems from <a href=\"http:\/\/www.gennigunn.com\/\" target=\"_blank\" rel=\"noopener\">Genni Gunn<\/a>: an interview on <a href=\"https:\/\/alllitup.ca\/Blog\/Writer-s-Block\/2021\/Writer-s-Block-Genni-Gunn\" target=\"_blank\" rel=\"noopener\">All Lit Up, <\/a>2 poems in translation from Italian of Ada Donati&rsquo;s work in subTerrain Issue #87, and her travel essay \u00ab\u00a0Birth Stones\u00a0\u00bb nominated for <i>Best American Travel Writing 2021<\/i>.<\/div>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/catherine-ego-fr\/\" target=\"_blank\" rel=\"noopener\">Catherine Ego<\/a> a donn\u00e9 une entrevue sur\u00a0<a href=\"https:\/\/www.editionsboreal.qc.ca\/catalogue\/livres\/ces-bombes-qui-fleurissent-nuit-2742.html\" target=\"_blank\" rel=\"noopener\"><i>Ces bombes qui fleurissent la nuit<\/i><\/a> (Abu Bakr al Rabeeah \/ Winnie Yeung), sa traduction de <i>Homes<\/i> publi\u00e9e cette ann\u00e9e aux \u00e9ditions du Bor\u00e9al. Elle \u00e9tait en direct au micro de Jean-Paul Moreau sur les ondes de <a href=\"https:\/\/uniquefm.ca\/.\" target=\"_blank\" rel=\"noopener\">Radio Unique FM<\/a> (Ottawa).<\/p>\n<p>La traduction de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/madeleine-stratford-fr\/\" target=\"_blank\" rel=\"noopener\">Madeleine Stratford<\/a> de <em>Petits marronnages<\/em> du po\u00e8te Kaie Kellough est parue aux <a href=\"https:\/\/www.editionsboreal.qc.ca\/catalogue\/livres\/petits-marronnages-2771.html\" target=\"_blank\" rel=\"noopener\">\u00e9ditions du Bor\u00e9al<\/a>. Lisez une critique \u00e9logieuse du recueil de po\u00e9sie <a href=\"https:\/\/www.ledevoir.com\/lire\/595050\/fiction-kaie-kellough-balayer-les-prenoms\" target=\"_blank\" rel=\"noopener\">ici<\/a>.<\/p>\n<p>Dans le cadre du cycle de conf\u00e9rence \u00ab Un traducteur rencontre son auteur \u00bb, la traductrice et professeure de traduction\u00a0<a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/woodsworthjudith-fr\/\" target=\"_blank\" rel=\"noopener\">Judith Woodsworth<\/a>\u00a0rencontre l\u2019autrice Abla Farhoud le 24 f\u00e9vrier \u00e0 18h.\u00a0<a href=\"http:\/\/figura.uqam.ca\/actualites\/une-traductrice-et-son-autrice-judith-woodsworth-rencontre-abla-farhoud\" target=\"_blank\" rel=\"noopener\">Pour en savoir plus<\/a>.<\/p>\n<p>La traduction de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jean-marcel-morlat-fr\/\" target=\"_blank\" rel=\"noopener\">Jean-Marcel Morlat<\/a> de <em>L&rsquo;ancien No\u00ebl<\/em>, un texte de Michael Crummey, est en ligne sur <a href=\"https:\/\/www.lecrachoirdeflaubert.ulaval.ca\/2021\/01\/lancien-noel\/\" target=\"_blank\" rel=\"noopener\">Le Crachoir de Flaubert<\/a>.<\/p>\n<p>Plusieurs de nos membres, dont <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/katia-grubisic-fr\/\" target=\"_blank\" rel=\"noopener\">Katia Grubisic<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/lori-saint-martin-fr\/\" target=\"_blank\" rel=\"noopener\">Lori Saint Martin<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/paul-gagne-fr\/\" target=\"_blank\" rel=\"noopener\">Paul Gagn\u00e9<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/elena-basile-fr\/\" target=\"_blank\" rel=\"noopener\">Elena Basile<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/arianne-desrochers-fr\/\" target=\"_blank\" rel=\"noopener\">Arianne Des Rochers<\/a>, <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/simon-brown-fr\/\" target=\"_blank\" rel=\"noopener\">Simon Brown<\/a> et plus encore, ont particip\u00e9 \u00e0 des cabarets de traduction dans le cadre des Rencontres multilingues en po\u00e9sie de <a href=\"https:\/\/lapoesiepartout.com\/rencontres-2021\/\" target=\"_blank\" rel=\"noopener\">La po\u00e9sie partout<\/a>. La s\u00e9rie peut \u00eatre visionn\u00e9e dans son int\u00e9gralit\u00e9 ici.<\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-5{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-5 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-5{width:100% !important;order : 0;}.fusion-builder-column-5 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-5{width:100% !important;order : 0;}.fusion-builder-column-5 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-5{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-6397\" class=\"fusion-post-grid post-6397 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/annonces-membres-janvier-2021-fr\/\" aria-label=\"Janvier 2021\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"500\" height=\"494\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/01\/jan-21.jpeg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/01\/jan-21-200x198.jpeg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/01\/jan-21-400x395.jpeg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2021\/01\/jan-21.jpeg 500w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/annonces-membres-janvier-2021-fr\/\">Janvier 2021<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-6 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-5\"><p>The German translation of\u00a0<a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/arianna-dagnino-en\/\" target=\"_blank\" rel=\"noopener\">Arianna Dagnino<\/a>\u2019s\u00a0<a href=\"https:\/\/www.ariannadagnino.com\/?cid=a6b941d6-4395-4003-8878-e2538e480ba4\" target=\"_blank\" rel=\"noopener\"><em>The Afrikaner<\/em><\/a>\u00a0will be published by\u00a0<a href=\"https:\/\/shoutout.wix.com\/so\/d0NMGIlkY\/c?w=7NwGvbIGh_NHhNwKf9l_q1cqq_pqH0j5SpAfNwblcxk.eyJ1IjoiaHR0cHM6Ly9wYWxtYXJ0cHJlc3MuY29tL2VuL25ld3MiLCJyIjoiMTMxNTczMWEtMmNkMy00Zjc3LTJlZDItZGE5NzdkZjJhNWJhIiwibSI6Im1haWwiLCJjIjoiYTZiOTQxZDYtNDM5NS00MDAzLTg4NzgtZTI1MzhlNDgwYmE0In0\" target=\"_blank\" rel=\"noopener\">PalmArtPress<\/a> (Berlin) in spring 2021. Italian and Arabic translations will follow in summer 2021. Read a short passage from the Afrikaner translated by Heddi Feilhauer:<\/p>\n<p>\u201cDie vereinzelten Stra\u00dfenlampen verbreiten ein unstetes Licht, inihren kleinen, hellen Inseln enth\u00fcllt die Stadt ihre Bl\u00f6\u00dfe. Ausgestorben liegt das Stadtzentrum da, wie nachts fast immer.\u201d<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/leilei-chen-en\/\" target=\"_blank\" rel=\"noopener\">Leilei Chen<\/a>\u2019s term as LTAC\u2019S VP West is off to a wonderful start! Collaborating with the Community Service Learning Office (CSL) of the University of Alberta in the fall semester of 2020, Leilei promoted the art of literary translation to the first-year students enrolled in the ENGL 102 A20\/22\/27 classes. Students were required to complete a minimum 20 hours of term work that included reading published essays and examples of literary translation, participating in the St. Jerome\u2019s Day event, interviewing literary translators, and writing blog posts. Through collaborating with the university partner and educating entry-level students at the threshold of postsecondary education alongside serving our members, this initiative aims to expand the scale of promoting literary translation and to potentially grow our membership community in Western Canada.<\/p>\n<p>Jean-Marcel Morlat, qui a connu une ann\u00e9e 2020 tr\u00e8s productive, a plusieurs nouvelles publications \u00e0 annoncer :<\/p>\n<ul>\n<li><em>Gr\u00e2ce,\u00a0<a href=\"http:\/\/www.lecrachoirdeflaubert.ulaval.ca\/2020\/08\/grace\/\" target=\"_blank\" rel=\"noopener\">Le crachoir de Flaubert<\/a>,<\/em>\u00a0jeudi 13 ao\u00fbt 2020. Traduction fran\u00e7aise de la nouvelle de Michael Crummey, \u00ab Grace \u00bb, tir\u00e9e du recueil Hard Light (Brick Books, 1998).<\/li>\n<li><em><a href=\"https:\/\/d7d43457-a836-44e6-a782-cd88b89e4c16.filesusr.com\/ugd\/2d98e8_71bd7aa5038149a1a4fbb5eeeee01f31.pdf\" target=\"_blank\" rel=\"noopener\">Le polissage du halo, Sourdine<\/a>, n<\/em>o 233 (automne, 4 septembre 2020), p. 35, Traduction fran\u00e7aise de la nouvelle de Suzanne Kamata \u00abPolishing the Halo \u00bb, parue dans The Beautiful One Has Come, 2011, Deadwood, Oregon, Wyatt-MacKenzie Publishing, pp. 167-177. Publication d\u2019un extrait et de la nouvelle enti\u00e8re sur le site WEB d\u2019Audition Qu\u00e9bec.<\/li>\n<li><em>Le moment venu, Travers\u00e9es<\/em>\u00a0no 96 (\u00c9t\u00e9 2020), pp. 100-101. Traduction fran\u00e7aise du texte de Michael Crummey, \u00ab When The Time Came \u00bb, tir\u00e9 du recueil Hard Light, Brick Books.<\/li>\n<li><a href=\"https:\/\/www.lecrachoirdeflaubert.ulaval.ca\/2020\/11\/synonymes-du-verbe-convoiter\/\" target=\"_blank\" rel=\"noopener\"><em>Synonymes du verbe\u00a0<\/em><em>\u201c<\/em><em>co<\/em><em>nvoiter<\/em><em>\u201d<\/em><em>,\u00a0<\/em><em>Le crachoir de Flaubert<\/em><\/a>, jeudi 5 novembre 2020. Traduction fran\u00e7aise de la nouvelle de Sharon Bala \u00ab Synonyms of the verb \u201ccovet\u201d \u00bb, parue dans\u00a0<a href=\"http:\/\/www.thisgreatsociety.com\/06\/creative_writing\/synonyms_of_the_verb_covet.html\" target=\"_blank\" rel=\"noopener\"><em>The Future<\/em><\/a>, Issue 6, February 2010.<\/li>\n<li><em>Le tournoi de Sum\u00f4<\/em>\u00a0et\u00a0<em>Festivals japonais\u00a0:\u00a0le hatsum\u00f4de et le Namahage<\/em>, textes d\u2019Alan Booth tir\u00e9s de\u00a0<em>Looking for the Lost: Journeys through a Vanishing Japan<\/em>.\u00a0<a href=\"https:\/\/revue-traversees.com\/2020\/11\/19\/alan-booth-1946-1970\/\" target=\"_blank\" rel=\"noopener\"><em>Travers\u00e9es<\/em><\/a>, 19 novembre 2020.<\/li>\n<li><a href=\"http:\/\/www.litteraturesbreves.fr\/index.php\/m-crummey\" target=\"_blank\" rel=\"noopener\"><em>Ce dont nous avions besoin\u00a0<\/em>et<em>\u00a0Sa croix<\/em>,\u00a0<em>R\u00e9cit-page<\/em><\/a>, 1<sup>er<\/sup>\u00a0d\u00e9cembre 2020. Traduction fran\u00e7aise des textes de Michael Crummey \u00ab\u00a0<em>What We Needed\u00a0<\/em>\u00bb et\u00a0<em>\u00ab\u00a0Her Mark \u00bb<\/em>, tir\u00e9s du recueil\u00a0<em>Hard Light<\/em>\u00a0(Brick Books, 1998).<\/li>\n<\/ul>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-6{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-6 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-6{width:100% !important;order : 0;}.fusion-builder-column-6 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-6{width:100% !important;order : 0;}.fusion-builder-column-6 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-6{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<article id=\"blog-1-post-6232\" class=\"fusion-post-grid post-6232 post type-post status-publish format-standard has-post-thumbnail hentry category-annonces-membres-fr\">\n<div class=\"fusion-post-wrapper\" style=\"background-color:rgba(255,255,255,1);border:1px solid #f2f2f2;border-bottom-width:3px;\">\n\n\t\t\t<div class=\"fusion-flexslider flexslider fusion-flexslider-loading fusion-post-slideshow\" style=\"border-color:#f2f2f2;\">\n\t\t<ul class=\"slides\">\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<li><div  class=\"fusion-image-wrapper\" aria-haspopup=\"true\">\n\t\t\t\t\t\t\t<a href=\"https:\/\/www.attlc-ltac.org\/fr\/octobre-2020\/\" aria-label=\"Octobre 2020\">\n\t\t\t\t\t\t\t<img decoding=\"async\" width=\"1880\" height=\"1160\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020.jpeg\" class=\"attachment-full size-full wp-post-image\" alt=\"\" srcset=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020-200x123.jpeg 200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020-400x247.jpeg 400w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020-600x370.jpeg 600w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020-800x494.jpeg 800w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020-1200x740.jpeg 1200w, https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2020\/10\/october-2020.jpeg 1880w\" sizes=\"(min-width: 2200px) 100vw, (min-width: 672px) 565px, (min-width: 640px) 672px, \" \/>\t\t\t<\/a>\n\t\t\t\t\t\t\t<\/div>\n<\/li>\n\t\t\t\n\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/ul>\n\t<\/div>\n\t<div class=\"fusion-post-content-wrapper\" style=\"padding:30px 25px 20px 25px;\"><div class=\"fusion-post-content post-content\"><h2 class=\"blog-shortcode-post-title entry-title\"><a href=\"https:\/\/www.attlc-ltac.org\/fr\/octobre-2020\/\">Octobre 2020<\/a><\/h2><div class=\"fusion-post-content-container\"><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1-7 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;border-width: 0px 0px 0px 0px;border-color:#eae9e9;border-style:solid;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\" style=\"background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;padding: 0px 0px 0px 0px;\"><div class=\"fusion-text fusion-text-6\"><p>F\u00e9licitations \u00e0 <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/catherine-ego-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Catherine Ego<\/a> et <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/benoit-laflamme-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Beno\u00eet Laflamme<\/a>, finalistes* du Prix de traduction 2020 de la Fondation Cole, remis par la <a href=\"https:\/\/qwf.org\/announcing-the-finalists-for-the-prix-de-traduction-de-la-fondation-cole\/?fbclid=IwAR0UIIY9mCIpGTe2ZjTo0vRw3Q0p49YPZ_T5SkJIyNrlPncfUU44VkNczn0\" target=\"_blank\" rel=\"noopener noreferrer\">Quebec Writers Federation<\/a> ! Beno\u00eet est en nomination pour <a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/2103\" target=\"_blank\" rel=\"noopener noreferrer\"><em>\u00c9clipse \u00e9lectrique<\/em><\/a> (\u00c9ditions du Bor\u00e9al), sa traduction de <a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/1953\" target=\"_blank\" rel=\"noopener noreferrer\"><em>The Knockoff Eclipse<\/em><\/a> (Anvil Press) de Melissa Bull. Catherine est nomin\u00e9e \u00e0 deux reprises. Sa premi\u00e8re nomination est pour <a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/2101\"><em>NoirEs sous surveillance. Esclavage, r\u00e9pression et violence d\u2019\u00c9tat au Canada <\/em><\/a> (M\u00e9moire d&rsquo;encrier), sa traduction de <em><a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/1883\">Policing Black Lives: State Violence in Canada from Slavery to the Present<\/a><\/em> (Fernwood Publishing) de <a href=\"http:\/\/quebecbooks.qwf.org\/authors\/view\/1152\">Robyn Maynard<\/a>. Sa deuxi\u00e8me nomination est pour <a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/2102\"><em>Zolitude <\/em><\/a>(\u00c9ditions du Bor\u00e9al), sa traduction de <em><a href=\"http:\/\/quebecbooks.qwf.org\/books\/view\/1862\">Zolitude<\/a><\/em> (Biblioasis) de <a href=\"http:\/\/quebecbooks.qwf.org\/authors\/view\/1145\">Paige Cooper<\/a>.<\/p>\n<p>*Mise \u00e0 jour : <a href=\"https:\/\/qwf.org\/the-2020-qwf-literary-award-winners-announced\/\" target=\"_blank\" rel=\"noopener noreferrer\">Le Prix de la Traduction de la Fondation Cole<\/a> a \u00e9t\u00e9 remport\u00e9 par Beno\u00eet Laflamme. F\u00e9licitations!<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/madeleine-stratford-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Madeleine Stratford<\/a>&lsquo;s new translation, <a href=\"http:\/\/www.vehiculepress.com\/q.php?EAN=9781550655537\" target=\"_blank\" rel=\"noopener noreferrer\">Swallowed<\/a> (V\u00e9hicule Press) is launching on November 12 at 7 pm live on Facebook and Youtube. Tune in to watch Madeleine, Dmitri Nasrallah, and Steven W. Beattie discuss this new translation of R\u00e9jean Ducharme&rsquo;s debut novel <i><a href=\"http:\/\/www.gallimard.fr\/Catalogue\/GALLIMARD\/Blanche\/L-avalee-des-avales\" target=\"_blank\" rel=\"noopener noreferrer\">L\u2019Aval\u00e9e des aval\u00e9s<\/a>\u00a0<\/i>(Gallimard).<\/p>\n<p>The fruit of Julia Jones&rsquo; labour at the 2019 <a href=\"https:\/\/www.attlc-ltac.org\/en\/day-1-residency-mlq\/\" target=\"_blank\" rel=\"noopener noreferrer\">Maison de la litt\u00e9rature translation residency<\/a>, <em>Wintering<\/em>, was published in the October issue of <a href=\"https:\/\/joylandmagazine.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Joyland<\/a>. <a href=\"https:\/\/joylandmagazine.com\/fiction\/excerpt-from-hivernages-wintering\/\" target=\"_blank\" rel=\"noopener noreferrer\">Click here to read an excerpt<\/a> of Julia&rsquo;s translation of Maude Desch\u00eanes-Pradet&rsquo;s <em>Hivernages<\/em>.<\/p>\n<p>La plus r\u00e9cente traduction de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/nicolas-calve-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Nicolas Calv\u00e9<\/a>, \u00ab<a href=\"https:\/\/luxediteur.com\/catalogue\/orwell-a-sa-guise\/\" target=\"_blank\" rel=\"noopener noreferrer\">Orwell, \u00e0 sa guise. La vie et l&rsquo;\u0153uvre d&rsquo;un esprit libre<\/a>\u00bb, de George Woodcock, est parue chez Lux \u00e9diteur. Extrait de la 4e de couverture: \u00abAlors que George Orwell est remis au go\u00fbt du jour tant \u00e0 gauche qu\u2019\u00e0 droite, et que prolif\u00e8rent les fake news, la novlangue et de nouvelles formes de contr\u00f4le technoscientifique, cette biographie litt\u00e9raire \u2013 la seule \u00e0 avoir \u00e9t\u00e9 \u00e9crite de premi\u00e8re main \u2013 arrive \u00e0 point nomm\u00e9. Par l\u2019\u00e9l\u00e9gance de son \u00e9criture et l\u2019acc\u00e8s privil\u00e9gi\u00e9 qu\u2019il offre \u00e0 son sujet, Woodcock brosse ici un portrait in\u00e9dit de celui qui fut bien plus que l\u2019auteur de la dystopie 1984.\u00bb <a href=\"https:\/\/luxediteur.com\/catalogue\/orwell-a-sa-guise\/\" target=\"_blank\" rel=\"noopener noreferrer\">Plus de d\u00e9tails ici<\/a>.<\/p>\n<p><em>Po\u00e9sie Postale<\/em> consacre sa 6e \u00e9dition \u00e0 la traduction litt\u00e9raire et la traduction de <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/chantal-ringuet-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Chantal Ringuet<\/a> d\u2019un po\u00e8me de Rachel (Rokhl) Korn vient de para\u00eetre dans le cadre de ce projet. <a href=\"https:\/\/www.facebook.com\/poesiepostale\" target=\"_blank\" rel=\"noopener noreferrer\">Plus de d\u00e9tails ici<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/jean-pierre-pelletier-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jean-Pierre Pelletier<\/a> vous invite \u00e0 assister au lancement du prochain num\u00e9ro de <a href=\"http:\/\/redtac.org\/possibles\/numeros\/?fbclid=IwAR0fpspohLSNtmlyqoYIajsPyhNGFqjORFNVPvsimpGfXY_Q_lVDVz1j-PY\" target=\"_blank\" rel=\"noopener noreferrer\">Possibles<\/a>. L\u2019\u00e9v\u00e9nement aura lieu le 29 octobre, de 18h \u00e0 19h sur Zoom. Si vous souhaitez y assister, veuillez \u00e9crire \u00e0 Jean-Pierre pour obtenir le mot de passe.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/genni-gunn-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Genni Gunn<\/a>&lsquo;s new collection of short stories, <a href=\"http:\/\/www.signature-editions.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Permanent Tourists<\/em><\/a> (Signature Editions) is launching on October 28 at 6pm CDT live on Facebook. <a href=\"https:\/\/www.facebook.com\/signatureeditions\/posts\/3951059138261975\" target=\"_blank\" rel=\"noopener noreferrer\">Click here to RSVP for the event<\/a>.<\/p>\n<p>F\u00e9licitations \u00e0\u00a0<a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/saintmartinlori-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lori Saint-Martin<\/a> et <a href=\"https:\/\/www.attlc-ltac.org\/fr\/translator\/gagnepaul-fr\/\" target=\"_blank\" rel=\"noopener noreferrer\">Paul Gagn\u00e9<\/a> pour avoir remport\u00e9 le Prix de traduction Jacob Isaac Segal 2020 pour <a href=\"https:\/\/www.editionsboreal.qc.ca\/catalogue\/livres\/yiddish-usage-des-pirates-2656.html\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Le Yiddish \u00e0 l\u2019usage des pirates<\/em><\/a> (Bor\u00e9al), leur traduction du roman de Gary Barwin <a href=\"https:\/\/www.penguinrandomhouse.ca\/books\/249646\/yiddish-for-pirates-by-gary-barwin\/9780345815521\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Yiddish for Pirates <\/em><\/a> (Random House). Lori et Paul partagent le prix avec Goldie Morgentaler, qui a re\u00e7u le prix pour sa traduction de <a href=\"https:\/\/www.mqup.ca\/confessions-of-a-yiddish-writer-and-other-essays-products-9780773557031.php\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Confessions of a Yiddish Writer<\/em><\/a> (McGill-Queens UP) de Chava Rosenfarb. Le gala de remise des prix aura lieu le 12 novembre \u00e0 19h30 via Zoom. <a href=\"https:\/\/buy.acmeticketing.com\/events\/479\/detail\/5f844e58d2302431c0ee8045?date=2020-11-12T19:30:00-05:00&amp;utm_source=Media&amp;utm_campaign=c2e4ec7d40-EMAIL_CAMPAIGN_2020_10_20_04_43&amp;utm_medium=email&amp;utm_term=0_e904d9ac5c-c2e4ec7d40-123080557\" target=\"_blank\" rel=\"noopener noreferrer\">Cliquez ici pour vous inscrire<\/a>.<\/p>\n<p><a href=\"https:\/\/www.attlc-ltac.org\/en\/translator\/strausspablo-en\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pablo Strauss<\/a> launched <a href=\"https:\/\/chbooks.com\/Books\/F\/Fauna\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Fauna<\/em> <\/a>(Coach House Books), his translation of Christiane Vadnais\u2019s first work of fiction, which won the Horizons Imaginaires speculative fiction award, the City of Quebec book award, and was named one of 2018\u2019s best books by Radio-Canada. <a href=\"https:\/\/www.youtube.com\/watch?v=NdAHWckmjnk\" target=\"_blank\" rel=\"noopener noreferrer\">Click here to view their discussion<\/a>.<\/p>\n<\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-builder-column-7{width:100% !important;margin-top : 0px;margin-bottom : 20px;}.fusion-builder-column-7 > .fusion-column-wrapper {padding-top : 0px !important;padding-right : 0px !important;margin-right : 1.92%;padding-bottom : 0px !important;padding-left : 0px !important;margin-left : 1.92%;}@media only screen and (max-width:1024px) {.fusion-body .fusion-builder-column-7{width:100% !important;order : 0;}.fusion-builder-column-7 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}@media only screen and (max-width:640px) {.fusion-body .fusion-builder-column-7{width:100% !important;order : 0;}.fusion-builder-column-7 > .fusion-column-wrapper {margin-right : 1.92%;margin-left : 1.92%;}}<\/style><\/div><\/div><style type=\"text\/css\">.fusion-body .fusion-flex-container.fusion-builder-row-1-7{ padding-top : 0px;margin-top : 0px;padding-right : 0px;padding-bottom : 0px;margin-bottom : 0px;padding-left : 0px;}<\/style><\/div>\n<\/div><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div>\n<\/article>\n<div class=\"fusion-clearfix\"><\/div><\/div><div class=\"fusion-infinite-scroll-trigger\"><\/div><div class=\"pagination infinite-scroll clearfix\" style=\"display:none;\"><span class=\"current\">1<\/span><a href=\"https:\/\/www.attlc-ltac.org\/fr\/wp-json\/wp\/v2\/pages\/4634\/page\/2\/\" class=\"inactive\">2<\/a><a class=\"pagination-next\" rel=\"next\" href=\"https:\/\/www.attlc-ltac.org\/fr\/wp-json\/wp\/v2\/pages\/4634\/page\/2\/\"><span class=\"page-text\">Suivant<\/span><span class=\"page-next\"><\/span><\/a><\/div><div class=\"fusion-clearfix\"><\/div><button class=\"fusion-load-more-button fusion-blog-button fusion-clearfix\">Voir plus d&#039;articles<\/button><\/div><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" title=\"Critique d&rsquo;\u00abUn E\u0301gyptien peut-il parler anglais_\u00bb_ ni E\u0301gyptienne ni Ame\u0301ricaine _ Le Devoir\" src=\"https:\/\/www.attlc-ltac.org\/wp-content\/uploads\/2024\/10\/Critique-dUn-Egyptien-peut-il-parler-anglais__-ni-Egyptienne-ni-Americaine-_-Le-Devoir.pdf\" alt class=\"img-responsive wp-image-8220\"\/><\/span><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":311,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4634","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.2 - 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